Eminem Live From New York City Download Cd

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Amazon.com But “Revival” really works when things get personal. There’s always been a defiant vulnerability coursing through Eminem’s work, a willingness to cut himself down to size before you get the chance. Free gerber accumark v8 crack cocaine. That’s the power in the climactic scene of “8 Mile,” after all, and it’s the theme of the new album’s opening track, “Walk on Water,” where the aging rapper’s confessions about career pressure and musical insecurity help him disarm critics out of the gate. “How do you keep up the pace and the hunger pangs once you’ve won the race?” he ponders on the subsequent track, “Believe.” The album presents an Eminem who still spends much of his life inside his own head, and for whom the only true peace seems to be found inside a studio vocal booth. But there’s a genuine sweetness at play, too.

Four years after apologizing to his mother via “Headlights,” Eminem reaches out to ex-wife Kim Mathers on “Bad Husband,” a standout song that confronts the couple’s poisonous codependency while conceding: “Not bad people — just bad together.” The real emotional power of “Revival” is crowned with its two closing tracks. “Castle” portrays a series of old letters to then-kid daughter Hailie, tracing his love as he worked to build a career in Detroit — and then his regrets as global fame overwhelmed him and intruded on their bond. By the mid-2000s, Eminem makes it clear, he was ready to hang it all up. Then comes “Arose,” one of the most powerful and poignant Eminem songs in years. Revisiting his near-fatal moments on a hospital bed in 2007 after a drug overdose — “Just heard that nurse say, my liver and kidneys aren't functioning” — the reality comes spilling out. Atop Bette Midler’s “The Rose,” he locks in with the loved ones who are about to lose him, and that brings the will to survive.

From there comes the will to thrive: “Arose” abruptly stops with the sound of rewinding tape. The music of “Castle” returns. And Eminem picks up where he’d left off in the mid-2000s — this time clean, sober and ready to take on the world. A “Revival,” indeed.

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It’s not often an album saves its best for the very end, but it's not as if Eminem hadn't dropped a hint near the start, rapping on “Believe”: “It’s never too late to start a new beginning.” Contact Detroit Free Press music writer Brian McCollum: 313-223-4450 or bmccollum@freepress.com.